HOUSE OF CULTURE AND LEISURE
Russian Literature Track

Russian classics without schoolbook varnish

29 November — Tolstoy · Programme: 11 texts · Archive: 30 works

We return to great Russian texts not to recite textbook dogmas, but to hear the authentic voices of each epoch, decode hidden irony, tragedy, and radical authorial enquiry.

Thematic Series of Gatherings

Course: ‘Between Fall and Resurrection’

An extensive cycle exploring two foundational archetypes of Russian literature: dramatic internal crisis and spiritual transformation, interwoven with wanderings across the expanse of empire.

Block IOpening: Crisis of Conscience & Social Trial
01 · OPENING TEXT
‘Resurrection’
AUTHOR: Leo Tolstoy · 1899

Tolstoy's final major novel on Prince Nekhlyudov's guilt, the hypocrisy of judicial institutions, and spiritual awakening on the Siberian convict road.

Block IIWomen's Fates: Firsthand Voices
02 · GATHERING
‘A Double Life’
K. K. Pavlova · 1848

A daring synthesis of prose and verse: high-society mask vs the authentic poetic soul.

03 · GATHERING
Silver Age Poetry
A. Akhmatova, M. Tsvetaeva, Z. Gippius

Three aesthetic manifestos: classical prophetic poise, spontaneous tempestuous grief, and metaphysical decadence.

04 · GATHERING
‘Journey into the Whirlwind’
E. S. Ginzburg · 1967

A chronicle of Stalinist prisons and Kolyma labour camps, celebrating human dignity and solidarity.

05 · GATHERING
‘The Time: Night’
L. S. Petrushevskaya · 1992

An unsparing domestic drama, navigating suffocating hyper-custody and survival.

Block IIIThe Road: Revolt, Absurdity & Cul-de-Sac
06 · GATHERING
‘Journey from St. Petersburg to Moscow’
A. N. Radishchev · 1790

The first uncompromising indictment of serfdom along imperial post routes.

07 · GATHERING
‘Dead Souls’
N. V. Gogol · 1842

Chichikov's carriage traversing metaphysical stagnation and the iconic Russian troika.

08 · FINALE
‘Moscow-Petushki’
Venedikt Erofeev · 1970

A prose poem on an unachievable paradise, biblical allusions, and holy foolishness aboard a commuter train.

Club Chronicle

Previously Explored

Works explored in chronological order of club gatherings:
‘The Idiot’
F. M. Dostoevsky
novel
‘The Gulag Archipelago’
A. I. Solzhenitsyn
documentary
‘Demons’
F. M. Dostoevsky
novel
‘Anna Karenina’
L. N. Tolstoy
family epic
‘Doctor Zhivago’
B. L. Pasternak
novel
‘The Doomed City’
A. & B. Strugatsky
sci-fi
‘Eugene Onegin’
A. S. Pushkin
novel in verse
‘The Brothers Karamazov’
F. M. Dostoevsky
spiritual drama
‘The Foundation Pit’
A. P. Platonov
dystopia
‘The White Guard’
M. A. Bulgakov
novel
OBERIU Manifesto
Kharms, Vvedensky
Stories of the 1920s
M. M. Zoshchenko
Track Principles

Gathering Agreements

01

Care for others' viewpoints. We challenge ideas with rigour, but remain gentle with each other.

02

The text takes centre stage. We ground our dialogue in the work itself, avoiding school clichés.

03

Flexible participation. If you need to arrive a little late or leave early — let us know, that is fine.

Track Particulars

How the Conversation Runs

✦

Preparation: Simply reading the announced text is entirely sufficient.

✦

Parlour atmosphere: Intimate group of roughly 10 participants, tea brought along as you wish, no lecture distance.

✦

Sober minds: Drinks stronger than tea are fundamentally discouraged.